Les représentations de la femme dans l’univers oriental des Contes de Voltaire

The various representations of feminine figures in Voltaire’s Tales are drawn from the large oriental thesaurus constituted essentially by the travel narratives, the « Arab tales » translated by Antoine Galland and titled Les Mille et Une Nuits (The One thousand and One Nights), the Oriental Library...

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Main Author: Moufida Aliou
Format: Article
Language:English
Published: Université du Sud Toulon-Var 2019-06-01
Series:Babel : Littératures Plurielles
Subjects:
Online Access:http://journals.openedition.org/babel/7422
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spelling doaj-070e7a1f7c9a4ce09acc7f080828a76d2020-11-25T01:23:33ZengUniversité du Sud Toulon-VarBabel : Littératures Plurielles1277-78972019-06-013928330210.4000/babel.7422Les représentations de la femme dans l’univers oriental des Contes de VoltaireMoufida AliouThe various representations of feminine figures in Voltaire’s Tales are drawn from the large oriental thesaurus constituted essentially by the travel narratives, the « Arab tales » translated by Antoine Galland and titled Les Mille et Une Nuits (The One thousand and One Nights), the Oriental Library of Barthélémy d’Herbelot or relations collected from stories told by people who have visited Orient lands. The Koran read by Voltaire in English and in French is one of the numerous sources of imagery for Voltaire who dyes his portraits of an oriental tinge and multiply the figures issued from this cultural context yet unknown for the contemporary european readership: women cloistered in harems and seraglios, women taken by privateers or corsairs, veiled women, odalisques, queens… These female characters painted by Voltaire put us in front of compelling questions about the sources of Voltaire’s access to this quasi mythical universe. This universe constitutes his representation’s foundation of an Orient constructed from several sources which are othrnesses mirrors. Without being sought for itself, the Voltaire’s Orient is made to serve the great philosophical project claiming the spirit of the Enlightenment.http://journals.openedition.org/babel/7422OrientwomanrepresentationveiltalesQuran
collection DOAJ
language English
format Article
sources DOAJ
author Moufida Aliou
spellingShingle Moufida Aliou
Les représentations de la femme dans l’univers oriental des Contes de Voltaire
Babel : Littératures Plurielles
Orient
woman
representation
veil
tales
Quran
author_facet Moufida Aliou
author_sort Moufida Aliou
title Les représentations de la femme dans l’univers oriental des Contes de Voltaire
title_short Les représentations de la femme dans l’univers oriental des Contes de Voltaire
title_full Les représentations de la femme dans l’univers oriental des Contes de Voltaire
title_fullStr Les représentations de la femme dans l’univers oriental des Contes de Voltaire
title_full_unstemmed Les représentations de la femme dans l’univers oriental des Contes de Voltaire
title_sort les représentations de la femme dans l’univers oriental des contes de voltaire
publisher Université du Sud Toulon-Var
series Babel : Littératures Plurielles
issn 1277-7897
publishDate 2019-06-01
description The various representations of feminine figures in Voltaire’s Tales are drawn from the large oriental thesaurus constituted essentially by the travel narratives, the « Arab tales » translated by Antoine Galland and titled Les Mille et Une Nuits (The One thousand and One Nights), the Oriental Library of Barthélémy d’Herbelot or relations collected from stories told by people who have visited Orient lands. The Koran read by Voltaire in English and in French is one of the numerous sources of imagery for Voltaire who dyes his portraits of an oriental tinge and multiply the figures issued from this cultural context yet unknown for the contemporary european readership: women cloistered in harems and seraglios, women taken by privateers or corsairs, veiled women, odalisques, queens… These female characters painted by Voltaire put us in front of compelling questions about the sources of Voltaire’s access to this quasi mythical universe. This universe constitutes his representation’s foundation of an Orient constructed from several sources which are othrnesses mirrors. Without being sought for itself, the Voltaire’s Orient is made to serve the great philosophical project claiming the spirit of the Enlightenment.
topic Orient
woman
representation
veil
tales
Quran
url http://journals.openedition.org/babel/7422
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