Repetition and Emotive Communication in Music Versus Speech
Music and speech are often placed alongside one another as comparative cases. Their relative overlaps and disassociations have been well explored (e.g. Patel, 2010). But one key attribute distinguishing these two domains has often been overlooked: the greater preponderance of repetition in music in...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Frontiers Media S.A.
2013-04-01
|
Series: | Frontiers in Psychology |
Subjects: | |
Online Access: | http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00167/full |
id |
doaj-06e87bc2d7814d7abcba9fc4a916509b |
---|---|
record_format |
Article |
spelling |
doaj-06e87bc2d7814d7abcba9fc4a916509b2020-11-25T02:27:13ZengFrontiers Media S.A.Frontiers in Psychology1664-10782013-04-01410.3389/fpsyg.2013.0016748296Repetition and Emotive Communication in Music Versus SpeechElizabeth Hellmuth eMargulis0University of ArkansasMusic and speech are often placed alongside one another as comparative cases. Their relative overlaps and disassociations have been well explored (e.g. Patel, 2010). But one key attribute distinguishing these two domains has often been overlooked: the greater preponderance of repetition in music in comparison to speech. Recent fMRI studies have shown that familiarity – achieved through repetition – is a critical component of emotional engagement with music (Pereira et al., 2011). If repetition is fundamental to emotional responses to music, and repetition is a key distinguisher between the domains of music and speech, then close examination of the phenomenon of repetition might help clarify the ways that music elicits emotion differently than speech.http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00167/fullBasal GangliaSequencingrepetitionspeech to song illusionritual |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Elizabeth Hellmuth eMargulis |
spellingShingle |
Elizabeth Hellmuth eMargulis Repetition and Emotive Communication in Music Versus Speech Frontiers in Psychology Basal Ganglia Sequencing repetition speech to song illusion ritual |
author_facet |
Elizabeth Hellmuth eMargulis |
author_sort |
Elizabeth Hellmuth eMargulis |
title |
Repetition and Emotive Communication in Music Versus Speech |
title_short |
Repetition and Emotive Communication in Music Versus Speech |
title_full |
Repetition and Emotive Communication in Music Versus Speech |
title_fullStr |
Repetition and Emotive Communication in Music Versus Speech |
title_full_unstemmed |
Repetition and Emotive Communication in Music Versus Speech |
title_sort |
repetition and emotive communication in music versus speech |
publisher |
Frontiers Media S.A. |
series |
Frontiers in Psychology |
issn |
1664-1078 |
publishDate |
2013-04-01 |
description |
Music and speech are often placed alongside one another as comparative cases. Their relative overlaps and disassociations have been well explored (e.g. Patel, 2010). But one key attribute distinguishing these two domains has often been overlooked: the greater preponderance of repetition in music in comparison to speech. Recent fMRI studies have shown that familiarity – achieved through repetition – is a critical component of emotional engagement with music (Pereira et al., 2011). If repetition is fundamental to emotional responses to music, and repetition is a key distinguisher between the domains of music and speech, then close examination of the phenomenon of repetition might help clarify the ways that music elicits emotion differently than speech. |
topic |
Basal Ganglia Sequencing repetition speech to song illusion ritual |
url |
http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00167/full |
work_keys_str_mv |
AT elizabethhellmuthemargulis repetitionandemotivecommunicationinmusicversusspeech |
_version_ |
1724843513514819584 |