Listening to the Line: Notes on Music, Globalization, and the US-Mexico Border

The following is an experiment in theory and practice, and is therefore divided into two parts. The first introduces the concept of “the aural border”, my attempt to listen to the US-Mexico border as a geography of sound and music. The second explores this notion through an excerpt from a critical p...

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Bibliographic Details
Main Author:	Josh Kun
Format:	Article
Language:	English
Published:	Iberoamericana / Vervuert 2014-06-01
Series:	Iberoamericana. América Latina - España - Portugal
Subjects:	Borders México Music XXIst Century
Online Access:	http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/1010

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spelling	doaj-06a6f18a713f47c2a72ddaa21392ef012020-11-25T00:00:48ZengIberoamericana / VervuertIberoamericana. América Latina - España - Portugal1577-33882255-520X2014-06-0151714315210.18441/ibam.5.2005.17.143-152686Listening to the Line: Notes on Music, Globalization, and the US-Mexico BorderJosh KunThe following is an experiment in theory and practice, and is therefore divided into two parts. The first introduces the concept of “the aural border”, my attempt to listen to the US-Mexico border as a geography of sound and music. The second explores this notion through an excerpt from a critical performance text of mine, “Border Sound Files: An Audio Essay”, which tells musical stories of the border as a key site of globalization.http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/1010BordersMéxicoMusicXXIst Century
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Josh Kun
spellingShingle	Josh Kun Listening to the Line: Notes on Music, Globalization, and the US-Mexico Border Iberoamericana. América Latina - España - Portugal Borders México Music XXIst Century
author_facet	Josh Kun
author_sort	Josh Kun
title	Listening to the Line: Notes on Music, Globalization, and the US-Mexico Border
title_short	Listening to the Line: Notes on Music, Globalization, and the US-Mexico Border
title_full	Listening to the Line: Notes on Music, Globalization, and the US-Mexico Border
title_fullStr	Listening to the Line: Notes on Music, Globalization, and the US-Mexico Border
title_full_unstemmed	Listening to the Line: Notes on Music, Globalization, and the US-Mexico Border
title_sort	listening to the line: notes on music, globalization, and the us-mexico border
publisher	Iberoamericana / Vervuert
series	Iberoamericana. América Latina - España - Portugal
issn	1577-3388 2255-520X
publishDate	2014-06-01
description	The following is an experiment in theory and practice, and is therefore divided into two parts. The first introduces the concept of “the aural border”, my attempt to listen to the US-Mexico border as a geography of sound and music. The second explores this notion through an excerpt from a critical performance text of mine, “Border Sound Files: An Audio Essay”, which tells musical stories of the border as a key site of globalization.
topic	Borders México Music XXIst Century
url	http://journals.iai.spk-berlin.de/index.php/iberoamericana/article/view/1010
work_keys_str_mv	AT joshkun listeningtothelinenotesonmusicglobalizationandtheusmexicoborder
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Listening to the Line: Notes on Music, Globalization, and the US-Mexico Border

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