Una scrittura antirealista di inizio Novecento: Herwarth Walden

Una scrittura antirealista di inizio Novecento: Herwarth Walden

This article deals with Herwarth Walden’s theatrical aesthetics; specifically it studies the unrealistic nature of his dramas. Walden was one of the most important figures of the beginning of the twentieth century. Writer, critic, playwright, composer, publisher and indefatigable promoter of cultura...

Full description

Bibliographic Details
Main Author: Maria Innocenza Runco
Format: Article
Language:English
Published: LED - Edizioni Universitarie di Lettere Economia Diritto 2012-07-01
Series:Linguae &. Rivista di Lingue e Culture Moderne
Online Access:http://www.ledonline.it/index.php/linguae/article/view/287
id doaj-066c43b98bd647e4a6b4d0510bc6746e
record_format Article
spelling doaj-066c43b98bd647e4a6b4d0510bc6746e2020-11-25T02:03:59ZengLED - Edizioni Universitarie di Lettere Economia Diritto Linguae &. Rivista di Lingue e Culture Moderne2281-89521724-86982012-07-01102927278Una scrittura antirealista di inizio Novecento: Herwarth WaldenMaria Innocenza Runco0Università della BasilicataThis article deals with Herwarth Walden’s theatrical aesthetics; specifically it studies the unrealistic nature of his dramas. Walden was one of the most important figures of the beginning of the twentieth century. Writer, critic, playwright, composer, publisher and indefatigable promoter of cultural events, he founded and directed the journal Der Sturm, which was the source of new cultural tendencies in Germany. The article focuses on Walden’s essays and plays which were published in Der Sturm between 1917 and 1928, and examines how Walden was influenced by Tommaso Marinetti and Georg Fuchs.http://www.ledonline.it/index.php/linguae/article/view/287
collection DOAJ
language English
format Article
sources DOAJ
author Maria Innocenza Runco
spellingShingle Maria Innocenza Runco
Una scrittura antirealista di inizio Novecento: Herwarth Walden
Linguae &. Rivista di Lingue e Culture Moderne
author_facet Maria Innocenza Runco
author_sort Maria Innocenza Runco
title Una scrittura antirealista di inizio Novecento: Herwarth Walden
title_short Una scrittura antirealista di inizio Novecento: Herwarth Walden
title_full Una scrittura antirealista di inizio Novecento: Herwarth Walden
title_fullStr Una scrittura antirealista di inizio Novecento: Herwarth Walden
title_full_unstemmed Una scrittura antirealista di inizio Novecento: Herwarth Walden
title_sort una scrittura antirealista di inizio novecento: herwarth walden
publisher LED - Edizioni Universitarie di Lettere Economia Diritto
series Linguae &. Rivista di Lingue e Culture Moderne
issn 2281-8952
1724-8698
publishDate 2012-07-01
description This article deals with Herwarth Walden’s theatrical aesthetics; specifically it studies the unrealistic nature of his dramas. Walden was one of the most important figures of the beginning of the twentieth century. Writer, critic, playwright, composer, publisher and indefatigable promoter of cultural events, he founded and directed the journal Der Sturm, which was the source of new cultural tendencies in Germany. The article focuses on Walden’s essays and plays which were published in Der Sturm between 1917 and 1928, and examines how Walden was influenced by Tommaso Marinetti and Georg Fuchs.
url http://www.ledonline.it/index.php/linguae/article/view/287
work_keys_str_mv AT mariainnocenzarunco unascritturaantirealistadiinizionovecentoherwarthwalden
_version_ 1724945456327294976

Similar Items