Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship

The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the perio...

Full description

Bibliographic Details
Main Authors: Andrea França Martins, Patricia Machado
Format: Article
Language:English
Published: Pontíficia Universidade Católica de São Paulo 2014-12-01
Series:Galáxia
Subjects:
Online Access:https://revistas.pucsp.br/galaxia/article/view/16497
id doaj-060a4a5a143d4a7daf01b5f81b1b8ddf
record_format Article
spelling doaj-060a4a5a143d4a7daf01b5f81b1b8ddf2020-11-25T00:59:44ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532014-12-01142814894Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorshipAndrea França Martins0Patricia Machado1PUC-RioECO-UFRJThe vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues.https://revistas.pucsp.br/galaxia/article/view/16497documentárioimagem de arquivoditadura
collection DOAJ
language English
format Article
sources DOAJ
author Andrea França Martins
Patricia Machado
spellingShingle Andrea França Martins
Patricia Machado
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
Galáxia
documentário
imagem de arquivo
ditadura
author_facet Andrea França Martins
Patricia Machado
author_sort Andrea França Martins
title Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
title_short Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
title_full Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
title_fullStr Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
title_full_unstemmed Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
title_sort performed image and image attestation: the brazilian documentary and the reemerging specter of dictatorship
publisher Pontíficia Universidade Católica de São Paulo
series Galáxia
issn 1519-311X
1982-2553
publishDate 2014-12-01
description The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues.
topic documentário
imagem de arquivo
ditadura
url https://revistas.pucsp.br/galaxia/article/view/16497
work_keys_str_mv AT andreafrancamartins performedimageandimageattestationthebraziliandocumentaryandthereemergingspecterofdictatorship
AT patriciamachado performedimageandimageattestationthebraziliandocumentaryandthereemergingspecterofdictatorship
_version_ 1725216448779911168