Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship
The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the perio...
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Pontíficia Universidade Católica de São Paulo
2014-12-01
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Online Access: | https://revistas.pucsp.br/galaxia/article/view/16497 |
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doaj-060a4a5a143d4a7daf01b5f81b1b8ddf2020-11-25T00:59:44ZengPontíficia Universidade Católica de São PauloGaláxia1519-311X1982-25532014-12-01142814894Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorshipAndrea França Martins0Patricia Machado1PUC-RioECO-UFRJThe vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues.https://revistas.pucsp.br/galaxia/article/view/16497documentárioimagem de arquivoditadura |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Andrea França Martins Patricia Machado |
spellingShingle |
Andrea França Martins Patricia Machado Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship Galáxia documentário imagem de arquivo ditadura |
author_facet |
Andrea França Martins Patricia Machado |
author_sort |
Andrea França Martins |
title |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
title_short |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
title_full |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
title_fullStr |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
title_full_unstemmed |
Performed image and image attestation: the Brazilian documentary and the reemerging specter of dictatorship |
title_sort |
performed image and image attestation: the brazilian documentary and the reemerging specter of dictatorship |
publisher |
Pontíficia Universidade Católica de São Paulo |
series |
Galáxia |
issn |
1519-311X 1982-2553 |
publishDate |
2014-12-01 |
description |
The vindication of the memory of the Civil-Military Dictatorship in contemporary Brazilian cinema intensifies. This article recollects documentaries of the 1980s, and ideas and authors that have been examined before in order to attain to discuss the use of testemonies and film footage from the period of the dictatorship on recent audiovisual production, and their mode of performatively assuming the lack – of documents, memory, and images. Uma longa viagem [A Long Journey] and Que bom te ver viva [How Nice to See You Alive], both by filmmaker Lucia Murat, will be analyzed, among others, from the standpoint of these issues. |
topic |
documentário imagem de arquivo ditadura |
url |
https://revistas.pucsp.br/galaxia/article/view/16497 |
work_keys_str_mv |
AT andreafrancamartins performedimageandimageattestationthebraziliandocumentaryandthereemergingspecterofdictatorship AT patriciamachado performedimageandimageattestationthebraziliandocumentaryandthereemergingspecterofdictatorship |
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