“FRUIRE IL NON FRUIBILE ”. La fruizione digitale del patrimonio culturale non visibile nelle sale dei musei e l’anastilosi digitale

It was developed as a thesis of the Master Digital Exhibit of IUAV in Venice after the work experience of the authors at the Museo Civico di Bassano del Grappa, in collaboration with the Madrid-based company Factum Arte. Many museums all over the world have the problem of their heritage not entirely...

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Main Authors: Paola Perozzo, Edoardo Zanollo
Format: Article
Language:English
Published: mediaGEO soc. coop. 2019-03-01
Series:Archeomatica
Subjects:
app
Online Access:http://mediageo.it/ojs/index.php/archeomatica/article/view/1615
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spelling doaj-059f5afc260c4fe186d4dc2524b2caf12020-11-25T02:32:10ZengmediaGEO soc. coop.Archeomatica2037-24852384-94282019-03-01941453“FRUIRE IL NON FRUIBILE ”. La fruizione digitale del patrimonio culturale non visibile nelle sale dei musei e l’anastilosi digitalePaola PerozzoEdoardo ZanolloIt was developed as a thesis of the Master Digital Exhibit of IUAV in Venice after the work experience of the authors at the Museo Civico di Bassano del Grappa, in collaboration with the Madrid-based company Factum Arte. Many museums all over the world have the problem of their heritage not entirely visible in their spaces. The not accessible cultural heritage could be visitable through digital tools in the following cases: if there is a preservation problem, where the conditions in which the works of art must be kept, can not be guaranteed in the museum rooms; if there is difficulty in fruition and fragility of artworks, which regards works like drawings or books; if artworks are not intact and stored in pieces and for some reasons cannot be physically recomposed. We took as a case study for this third category the plaster bust of Tersicore by Antonio Canova; we rebuilt it digitally and then make it accessible through an Android app for a touch screen.http://mediageo.it/ojs/index.php/archeomatica/article/view/1615conserva zionebeni culturalifotogrammetriaricostruzione digitaleva lorizzazionemuseimodelli 3dapp
collection DOAJ
language English
format Article
sources DOAJ
author Paola Perozzo
Edoardo Zanollo
spellingShingle Paola Perozzo
Edoardo Zanollo
“FRUIRE IL NON FRUIBILE ”. La fruizione digitale del patrimonio culturale non visibile nelle sale dei musei e l’anastilosi digitale
Archeomatica
conserva zione
beni culturali
fotogrammetria
ricostruzione digitale
va lorizzazione
musei
modelli 3d
app
author_facet Paola Perozzo
Edoardo Zanollo
author_sort Paola Perozzo
title “FRUIRE IL NON FRUIBILE ”. La fruizione digitale del patrimonio culturale non visibile nelle sale dei musei e l’anastilosi digitale
title_short “FRUIRE IL NON FRUIBILE ”. La fruizione digitale del patrimonio culturale non visibile nelle sale dei musei e l’anastilosi digitale
title_full “FRUIRE IL NON FRUIBILE ”. La fruizione digitale del patrimonio culturale non visibile nelle sale dei musei e l’anastilosi digitale
title_fullStr “FRUIRE IL NON FRUIBILE ”. La fruizione digitale del patrimonio culturale non visibile nelle sale dei musei e l’anastilosi digitale
title_full_unstemmed “FRUIRE IL NON FRUIBILE ”. La fruizione digitale del patrimonio culturale non visibile nelle sale dei musei e l’anastilosi digitale
title_sort “fruire il non fruibile ”. la fruizione digitale del patrimonio culturale non visibile nelle sale dei musei e l’anastilosi digitale
publisher mediaGEO soc. coop.
series Archeomatica
issn 2037-2485
2384-9428
publishDate 2019-03-01
description It was developed as a thesis of the Master Digital Exhibit of IUAV in Venice after the work experience of the authors at the Museo Civico di Bassano del Grappa, in collaboration with the Madrid-based company Factum Arte. Many museums all over the world have the problem of their heritage not entirely visible in their spaces. The not accessible cultural heritage could be visitable through digital tools in the following cases: if there is a preservation problem, where the conditions in which the works of art must be kept, can not be guaranteed in the museum rooms; if there is difficulty in fruition and fragility of artworks, which regards works like drawings or books; if artworks are not intact and stored in pieces and for some reasons cannot be physically recomposed. We took as a case study for this third category the plaster bust of Tersicore by Antonio Canova; we rebuilt it digitally and then make it accessible through an Android app for a touch screen.
topic conserva zione
beni culturali
fotogrammetria
ricostruzione digitale
va lorizzazione
musei
modelli 3d
app
url http://mediageo.it/ojs/index.php/archeomatica/article/view/1615
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