<i>Mrs. Dalloway</i> como máquina de guerra. Una introducción

The purpose of this article is to show why and how Virginia Woolf´s novel is a powerful agency of social intervention which disrupts our programmed capacity to read and to look. Manuel Asensi discusses four elements of the context in which it was written; The period of writing and publishing, betwee...

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Main Author: Manuel Asensi Pérez
Format: Article
Language:Catalan
Published: Universitat de Barcelona; Universitat Autònoma de Barcelona 2004-01-01
Series:Lectora: Revista de Dones i Textualitat
Online Access:http://revistes.ub.edu/index.php/lectora/article/view/7084
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spelling doaj-05786f7c0614417fbe457719be54f3e62020-11-24T23:59:45ZcatUniversitat de Barcelona; Universitat Autònoma de BarcelonaLectora: Revista de Dones i Textualitat1136-57812013-94702004-01-010103113246859<i>Mrs. Dalloway</i> como máquina de guerra. Una introducciónManuel Asensi PérezThe purpose of this article is to show why and how Virginia Woolf´s novel is a powerful agency of social intervention which disrupts our programmed capacity to read and to look. Manuel Asensi discusses four elements of the context in which it was written; The period of writing and publishing, between 1922 and 1925, a time of vanguardisms; the influence of the Bloomsbury group; the outbreak of the First World War, which situated this pacifist group in a marginal position; and the biological condition of Woolf, being not only a woman, but one who suffered from a psychological disorder. Secondly, the article proposes an analysis of the novel´s characters in three groups; those who delimit the territory; others who represent lines of escape and, finally, Clarissa, who finds herself somewhere in between. A difficult position, since she does not know where she belongs; at the same time he is both inside an outside of the order.http://revistes.ub.edu/index.php/lectora/article/view/7084
collection DOAJ
language Catalan
format Article
sources DOAJ
author Manuel Asensi Pérez
spellingShingle Manuel Asensi Pérez
<i>Mrs. Dalloway</i> como máquina de guerra. Una introducción
Lectora: Revista de Dones i Textualitat
author_facet Manuel Asensi Pérez
author_sort Manuel Asensi Pérez
title <i>Mrs. Dalloway</i> como máquina de guerra. Una introducción
title_short <i>Mrs. Dalloway</i> como máquina de guerra. Una introducción
title_full <i>Mrs. Dalloway</i> como máquina de guerra. Una introducción
title_fullStr <i>Mrs. Dalloway</i> como máquina de guerra. Una introducción
title_full_unstemmed <i>Mrs. Dalloway</i> como máquina de guerra. Una introducción
title_sort <i>mrs. dalloway</i> como máquina de guerra. una introducción
publisher Universitat de Barcelona; Universitat Autònoma de Barcelona
series Lectora: Revista de Dones i Textualitat
issn 1136-5781
2013-9470
publishDate 2004-01-01
description The purpose of this article is to show why and how Virginia Woolf´s novel is a powerful agency of social intervention which disrupts our programmed capacity to read and to look. Manuel Asensi discusses four elements of the context in which it was written; The period of writing and publishing, between 1922 and 1925, a time of vanguardisms; the influence of the Bloomsbury group; the outbreak of the First World War, which situated this pacifist group in a marginal position; and the biological condition of Woolf, being not only a woman, but one who suffered from a psychological disorder. Secondly, the article proposes an analysis of the novel´s characters in three groups; those who delimit the territory; others who represent lines of escape and, finally, Clarissa, who finds herself somewhere in between. A difficult position, since she does not know where she belongs; at the same time he is both inside an outside of the order.
url http://revistes.ub.edu/index.php/lectora/article/view/7084
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