<i>Mrs. Dalloway</i> como máquina de guerra. Una introducción
The purpose of this article is to show why and how Virginia Woolf´s novel is a powerful agency of social intervention which disrupts our programmed capacity to read and to look. Manuel Asensi discusses four elements of the context in which it was written; The period of writing and publishing, betwee...
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Universitat de Barcelona; Universitat Autònoma de Barcelona
2004-01-01
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Series: | Lectora: Revista de Dones i Textualitat |
Online Access: | http://revistes.ub.edu/index.php/lectora/article/view/7084 |
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doaj-05786f7c0614417fbe457719be54f3e62020-11-24T23:59:45ZcatUniversitat de Barcelona; Universitat Autònoma de BarcelonaLectora: Revista de Dones i Textualitat1136-57812013-94702004-01-010103113246859<i>Mrs. Dalloway</i> como máquina de guerra. Una introducciónManuel Asensi PérezThe purpose of this article is to show why and how Virginia Woolf´s novel is a powerful agency of social intervention which disrupts our programmed capacity to read and to look. Manuel Asensi discusses four elements of the context in which it was written; The period of writing and publishing, between 1922 and 1925, a time of vanguardisms; the influence of the Bloomsbury group; the outbreak of the First World War, which situated this pacifist group in a marginal position; and the biological condition of Woolf, being not only a woman, but one who suffered from a psychological disorder. Secondly, the article proposes an analysis of the novel´s characters in three groups; those who delimit the territory; others who represent lines of escape and, finally, Clarissa, who finds herself somewhere in between. A difficult position, since she does not know where she belongs; at the same time he is both inside an outside of the order.http://revistes.ub.edu/index.php/lectora/article/view/7084 |
collection |
DOAJ |
language |
Catalan |
format |
Article |
sources |
DOAJ |
author |
Manuel Asensi Pérez |
spellingShingle |
Manuel Asensi Pérez <i>Mrs. Dalloway</i> como máquina de guerra. Una introducción Lectora: Revista de Dones i Textualitat |
author_facet |
Manuel Asensi Pérez |
author_sort |
Manuel Asensi Pérez |
title |
<i>Mrs. Dalloway</i> como máquina de guerra. Una introducción |
title_short |
<i>Mrs. Dalloway</i> como máquina de guerra. Una introducción |
title_full |
<i>Mrs. Dalloway</i> como máquina de guerra. Una introducción |
title_fullStr |
<i>Mrs. Dalloway</i> como máquina de guerra. Una introducción |
title_full_unstemmed |
<i>Mrs. Dalloway</i> como máquina de guerra. Una introducción |
title_sort |
<i>mrs. dalloway</i> como máquina de guerra. una introducción |
publisher |
Universitat de Barcelona; Universitat Autònoma de Barcelona |
series |
Lectora: Revista de Dones i Textualitat |
issn |
1136-5781 2013-9470 |
publishDate |
2004-01-01 |
description |
The purpose of this article is to show why and how Virginia Woolf´s novel is a powerful agency of social intervention which disrupts our programmed capacity to read and to look. Manuel Asensi discusses four elements of the context in which it was written; The period of writing and publishing, between 1922 and 1925, a time of vanguardisms; the influence of the Bloomsbury group; the outbreak of the First World War, which situated this pacifist group in a marginal position; and the biological condition of Woolf, being not only a woman, but one who suffered from a psychological disorder. Secondly, the article proposes an analysis of the novel´s characters in three groups; those who delimit the territory; others who represent lines of escape and, finally, Clarissa, who finds herself somewhere in between. A difficult position, since she does not know where she belongs; at the same time he is both inside an outside of the order. |
url |
http://revistes.ub.edu/index.php/lectora/article/view/7084 |
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AT manuelasensiperez imrsdallowayicomomaquinadeguerraunaintroduccion |
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1716241049115951104 |