French Fiction, Empathy, and the Utopian Potential of 9/11

In From Solidarity to Schisms , Cara Cilano conceptualizes September 11 as a moment “characterized by unfathomable vulnerability and the possibility of a better future.” She argues the event, while traumatic, might have served as an impetus to reconfigure American self-perceptions and thoughts abou...

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Main Author: Tim Gauthier
Format: Article
Language:English
Published: New Prairie Press 2013-01-01
Series:Studies in 20th & 21st Century Literature
Online Access:http://newprairiepress.org/sttcl/vol37/iss1/7
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spelling doaj-0569dfa867bf4c5c8065f1e012f5dfed2020-11-25T00:09:59ZengNew Prairie PressStudies in 20th & 21st Century Literature2334-44152013-01-0137110.4148/2334-4415.17985766796French Fiction, Empathy, and the Utopian Potential of 9/11Tim GauthierIn From Solidarity to Schisms , Cara Cilano conceptualizes September 11 as a moment “characterized by unfathomable vulnerability and the possibility of a better future.” She argues the event, while traumatic, might have served as an impetus to reconfigure American self-perceptions and thoughts about its place in the world. Instead, she contends, the United States squandered the utopian potential of this moment. Cilano remains optimistic, however, because she sees European fictional discourse on 9/11 as emblematic of a desire for a melding of divergent perspectives. Their critique aims to keep America’s sense of itself unbalanced, thus providing fuel for self-reflection, analysis, and, most important, renewal. Taking the measure of current Franco-American relations, this essay tests the validity of this contention by examining works of French fiction published in the five years after the attacks. Four of these texts—Christian Garcin’s La jubilation des hasards , Didier Goupil’s Le jour de mon retour sur terre , Luc Lang’s 11 septembre, mon amour , and Frédéric Beigbeder’s Windows on the World —will be the focus of this essay. Are they being written to take advantage of the cosmopolitan potential of the moment, or grasping the opportunity to criticize a (weakened) nation, and thereby expressing uniquely French concerns? The essay contemplates the extent to which self-interest and questions of identity—personal, political, national—interfere with empathy, thus posing a considerable challenge to the utopian dream of a cosmopolitan world.http://newprairiepress.org/sttcl/vol37/iss1/7
collection DOAJ
language English
format Article
sources DOAJ
author Tim Gauthier
spellingShingle Tim Gauthier
French Fiction, Empathy, and the Utopian Potential of 9/11
Studies in 20th & 21st Century Literature
author_facet Tim Gauthier
author_sort Tim Gauthier
title French Fiction, Empathy, and the Utopian Potential of 9/11
title_short French Fiction, Empathy, and the Utopian Potential of 9/11
title_full French Fiction, Empathy, and the Utopian Potential of 9/11
title_fullStr French Fiction, Empathy, and the Utopian Potential of 9/11
title_full_unstemmed French Fiction, Empathy, and the Utopian Potential of 9/11
title_sort french fiction, empathy, and the utopian potential of 9/11
publisher New Prairie Press
series Studies in 20th & 21st Century Literature
issn 2334-4415
publishDate 2013-01-01
description In From Solidarity to Schisms , Cara Cilano conceptualizes September 11 as a moment “characterized by unfathomable vulnerability and the possibility of a better future.” She argues the event, while traumatic, might have served as an impetus to reconfigure American self-perceptions and thoughts about its place in the world. Instead, she contends, the United States squandered the utopian potential of this moment. Cilano remains optimistic, however, because she sees European fictional discourse on 9/11 as emblematic of a desire for a melding of divergent perspectives. Their critique aims to keep America’s sense of itself unbalanced, thus providing fuel for self-reflection, analysis, and, most important, renewal. Taking the measure of current Franco-American relations, this essay tests the validity of this contention by examining works of French fiction published in the five years after the attacks. Four of these texts—Christian Garcin’s La jubilation des hasards , Didier Goupil’s Le jour de mon retour sur terre , Luc Lang’s 11 septembre, mon amour , and Frédéric Beigbeder’s Windows on the World —will be the focus of this essay. Are they being written to take advantage of the cosmopolitan potential of the moment, or grasping the opportunity to criticize a (weakened) nation, and thereby expressing uniquely French concerns? The essay contemplates the extent to which self-interest and questions of identity—personal, political, national—interfere with empathy, thus posing a considerable challenge to the utopian dream of a cosmopolitan world.
url http://newprairiepress.org/sttcl/vol37/iss1/7
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