Roberto De Gaetano: impulse-images and the cinema between the forms and the forces
Since the early nineties Roberto De Gaetano works on the relationship between cinema, aesthetics and philosophy. In this interview, he talks about the impulse-images, a concept among Gilles Deleuze`s taxonomy that has remained someway “marginal” although being powerful for understanding a large set...
| Main Authors: | , |
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal do Rio Grande do Sul
2015-08-01
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| Series: | Intexto |
| Subjects: | |
| Online Access: | http://seer.ufrgs.br/index.php/intexto/article/view/58059/34822 |
| Summary: | Since the early nineties Roberto De Gaetano works on the relationship between cinema, aesthetics and philosophy. In this interview, he talks about the impulse-images, a concept among Gilles Deleuze`s taxonomy that has remained someway “marginal” although being powerful for understanding a large set of problems, as the body of images, the inscription of a death drive in cinema and the conception of worlds in the act of their own destruction. We also had the opportunity to talk about De Gaetano`s latest works and the difference that he establishes between cinema of form and the cinema of force. |
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| ISSN: | 1807-8583 1807-8583 |