Musical style of reception – a musical interpretant – musical form in literature
<span>The paper is concerned with reception strategies where interdisciplinary competencies are connected to musical expectations towards a text, which – i.a. because of metatextual suggestions – needs a musical explanation – “musical supplement”. The objective of the article is the musical an...
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu
2012-01-01
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Online Access: | http://pressto.amu.edu.pl/index.php/pt/article/view/3371 |
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doaj-0472864d97974dd5984e6509463baaa12020-11-25T00:46:31ZpolWydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w PoznaniuPrzestrzenie Teorii1644-67632450-57652012-01-011713916110.14746/pt.2012.17.93342Musical style of reception – a musical interpretant – musical form in literatureAleksandra Reimann<span>The paper is concerned with reception strategies where interdisciplinary competencies are connected to musical expectations towards a text, which – i.a. because of metatextual suggestions – needs a musical explanation – “musical supplement”. The objective of the article is the musical and literary dialog, which belongs to intermediality (definition by W. Wolf), and intertextuality in the large sense as well. Although the penetration of musical and literary correspondence does not threaten “scientist hysteria”, it also does not promise fruitful strategies and satisfactory conclusions. The paper includes terminological proposals which are an attempt at universal, semiotic transposition into musical and literary borderland, which in the practice of interpretation has too eclectic, and mostly one-time solutions.</span>http://pressto.amu.edu.pl/index.php/pt/article/view/3371literaturamuzykadialogintermedialnośćintertekstualność |
collection |
DOAJ |
language |
Polish |
format |
Article |
sources |
DOAJ |
author |
Aleksandra Reimann |
spellingShingle |
Aleksandra Reimann Musical style of reception – a musical interpretant – musical form in literature Przestrzenie Teorii literatura muzyka dialog intermedialność intertekstualność |
author_facet |
Aleksandra Reimann |
author_sort |
Aleksandra Reimann |
title |
Musical style of reception – a musical interpretant – musical form in literature |
title_short |
Musical style of reception – a musical interpretant – musical form in literature |
title_full |
Musical style of reception – a musical interpretant – musical form in literature |
title_fullStr |
Musical style of reception – a musical interpretant – musical form in literature |
title_full_unstemmed |
Musical style of reception – a musical interpretant – musical form in literature |
title_sort |
musical style of reception – a musical interpretant – musical form in literature |
publisher |
Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu |
series |
Przestrzenie Teorii |
issn |
1644-6763 2450-5765 |
publishDate |
2012-01-01 |
description |
<span>The paper is concerned with reception strategies where interdisciplinary competencies are connected to musical expectations towards a text, which – i.a. because of metatextual suggestions – needs a musical explanation – “musical supplement”. The objective of the article is the musical and literary dialog, which belongs to intermediality (definition by W. Wolf), and intertextuality in the large sense as well. Although the penetration of musical and literary correspondence does not threaten “scientist hysteria”, it also does not promise fruitful strategies and satisfactory conclusions. The paper includes terminological proposals which are an attempt at universal, semiotic transposition into musical and literary borderland, which in the practice of interpretation has too eclectic, and mostly one-time solutions.</span> |
topic |
literatura muzyka dialog intermedialność intertekstualność |
url |
http://pressto.amu.edu.pl/index.php/pt/article/view/3371 |
work_keys_str_mv |
AT aleksandrareimann musicalstyleofreceptionamusicalinterpretantmusicalforminliterature |
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1725264823257661440 |