‘And above all to make you see’: Vision, Imagination and the Aesthetics of Montage in Atonement
This paper will consider the notions of sight, vision and imagination in Ian McEwan’s Atonement (2001) in order to try and offer a new definition of the author’s visual poetics. We will first focus on the frameworks moulding Briony’s vision, as a child and a fledgling writer. Watching events from th...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
Presses Universitaires de la Méditerranée
2018-12-01
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| Series: | Études Britanniques Contemporaines |
| Subjects: | |
| Online Access: | http://journals.openedition.org/ebc/5294 |