Editorial

In this issue we will elaborate further on the discussion about different conceptions of ‘design’. Design stems from the Latin word ‘designo’ which meant depicting. In Swedish and in English ‘design’ was historically used about maps or sketches of ships and buildings. Design then was more or less th...

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Main Author: Anna-Lena Kempe
Format: Article
Language:English
Published: Stockholm University Press 2013-12-01
Series:Designs for Learning
Online Access:http://www.designsforlearning.nu/articles/49
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spelling doaj-046b2a3f66784936a8eccab21e14a39d2020-11-25T00:26:38ZengStockholm University PressDesigns for Learning2001-74802013-12-0161-25810.2478/dfl-2014-001349EditorialAnna-Lena Kempe0Stockholm University, SwedenIn this issue we will elaborate further on the discussion about different conceptions of ‘design’. Design stems from the Latin word ‘designo’ which meant depicting. In Swedish and in English ‘design’ was historically used about maps or sketches of ships and buildings. Design then was more or less thought of as a practical device for creating an object that already existed in our minds or as intentions of God. The possibility to represent salient features of an object before it was built had many advantages in relation to constructions made in a process of trial-and-error.http://www.designsforlearning.nu/articles/49
collection DOAJ
language English
format Article
sources DOAJ
author Anna-Lena Kempe
spellingShingle Anna-Lena Kempe
Editorial
Designs for Learning
author_facet Anna-Lena Kempe
author_sort Anna-Lena Kempe
title Editorial
title_short Editorial
title_full Editorial
title_fullStr Editorial
title_full_unstemmed Editorial
title_sort editorial
publisher Stockholm University Press
series Designs for Learning
issn 2001-7480
publishDate 2013-12-01
description In this issue we will elaborate further on the discussion about different conceptions of ‘design’. Design stems from the Latin word ‘designo’ which meant depicting. In Swedish and in English ‘design’ was historically used about maps or sketches of ships and buildings. Design then was more or less thought of as a practical device for creating an object that already existed in our minds or as intentions of God. The possibility to represent salient features of an object before it was built had many advantages in relation to constructions made in a process of trial-and-error.
url http://www.designsforlearning.nu/articles/49
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