Utilization of the Iconography of Buddhist Prints during the Joseon Dynasty—Focusing on “the Listener” in Sakyamuni Preaching Paintings
This paper focuses on the iconography of “the Listener” in Buddhist prints that was adopted in Joseon dynasty <i>Sakyamuni Preaching</i> paintings. Regarding change in the Listener iconography from bodhisattva form to monk form, diverse research has been conducted on the Listener’s ident...
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| Format: | Article |
| Language: | English |
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MDPI AG
2021-05-01
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| Series: | Religions |
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| Online Access: | https://www.mdpi.com/2077-1444/12/5/324 |