HERMENEUTIC DISCOURSE AND POSTMODERN POETICS WITHIN KRLEŽA’S VISUAL ARTS THEMES

Th e essay debates a link between the hermeneutic discourse of Krleža’s interpretation of visual arts and the comprehension of postmodernist activist poetics. Interrelation between the above theoretical models gets analyzed on the example of Krleža’s Foreword to “Podravian Motifs of Krsto Hegeduš...

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Bibliographic Details
Main Author: Nataša Šegota Lah
Format: Article
Language:Bulgarian
Published: University of Rijeka. Faculty of Humanities and Social Sciences 2009-01-01
Series:Fluminensia: Journal for Philological Research
Subjects:
Online Access:http://hrcak.srce.hr/file/74616
Description
Summary:Th e essay debates a link between the hermeneutic discourse of Krleža’s interpretation of visual arts and the comprehension of postmodernist activist poetics. Interrelation between the above theoretical models gets analyzed on the example of Krleža’s Foreword to “Podravian Motifs of Krsto Hegedušić’ (1933) within a context of disintegration of modernist understanding of aesthetics. Th is instance is then being thematized by directing – from the general hermeneutic practice of intending the certain cultural-social connotations within painting’s interpretation – towards the postmodernist art practices affi rming the interrelation between the aesthetic and ethical (as ideological and political) fi elds of action.
ISSN:0353-4642
1848-9680