A Matter of Taste. The semi-serious musings of a wine taster on the contentious prospects of professional tasting

During a Barolo en primeur tasting session, a seasoned wine taster is assailed by a procedural unease which leads him to question the foundations on which his work rests. Sparked off by his reading of Michel Le Gris’ pamphlet Dionysos crucifié, the taster’s objections and perplexities are directed t...

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Main Author: Giampaolo Gravina
Format: Article
Language:English
Published: Rosenberg & Sellier 2012-10-01
Series:Rivista di Estetica
Online Access:http://journals.openedition.org/estetica/1404
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spelling doaj-040a0f05920b40b386c3806bccb925d02020-11-24T23:21:23ZengRosenberg & SellierRivista di Estetica0035-62122421-58642012-10-015114915410.4000/estetica.1404A Matter of Taste. The semi-serious musings of a wine taster on the contentious prospects of professional tastingGiampaolo GravinaDuring a Barolo en primeur tasting session, a seasoned wine taster is assailed by a procedural unease which leads him to question the foundations on which his work rests. Sparked off by his reading of Michel Le Gris’ pamphlet Dionysos crucifié, the taster’s objections and perplexities are directed towards teasing out the rules and coordinates of a tasting aesthetic which has become tamed and domesticated, at the service of a narcissistic “tyranny of instant gratification”. Such an approach translates into wines that are beaten into submission by interventionist winemakers, wines that derive from a tasting model that has been pre-emptively cleansed of tension or dissonance so as to exalt products that are easy, reassuring, docile to marketing logic, and increasingly similar. What sort of doubts, what interpretative friction can hope to reacquaint wine criticism with its true and original aims? What relations between the tongue that tastes and the tongue that speaks can respond to the needs of a new approach to wine appreciation, a ‘tasting different’?http://journals.openedition.org/estetica/1404
collection DOAJ
language English
format Article
sources DOAJ
author Giampaolo Gravina
spellingShingle Giampaolo Gravina
A Matter of Taste. The semi-serious musings of a wine taster on the contentious prospects of professional tasting
Rivista di Estetica
author_facet Giampaolo Gravina
author_sort Giampaolo Gravina
title A Matter of Taste. The semi-serious musings of a wine taster on the contentious prospects of professional tasting
title_short A Matter of Taste. The semi-serious musings of a wine taster on the contentious prospects of professional tasting
title_full A Matter of Taste. The semi-serious musings of a wine taster on the contentious prospects of professional tasting
title_fullStr A Matter of Taste. The semi-serious musings of a wine taster on the contentious prospects of professional tasting
title_full_unstemmed A Matter of Taste. The semi-serious musings of a wine taster on the contentious prospects of professional tasting
title_sort matter of taste. the semi-serious musings of a wine taster on the contentious prospects of professional tasting
publisher Rosenberg & Sellier
series Rivista di Estetica
issn 0035-6212
2421-5864
publishDate 2012-10-01
description During a Barolo en primeur tasting session, a seasoned wine taster is assailed by a procedural unease which leads him to question the foundations on which his work rests. Sparked off by his reading of Michel Le Gris’ pamphlet Dionysos crucifié, the taster’s objections and perplexities are directed towards teasing out the rules and coordinates of a tasting aesthetic which has become tamed and domesticated, at the service of a narcissistic “tyranny of instant gratification”. Such an approach translates into wines that are beaten into submission by interventionist winemakers, wines that derive from a tasting model that has been pre-emptively cleansed of tension or dissonance so as to exalt products that are easy, reassuring, docile to marketing logic, and increasingly similar. What sort of doubts, what interpretative friction can hope to reacquaint wine criticism with its true and original aims? What relations between the tongue that tastes and the tongue that speaks can respond to the needs of a new approach to wine appreciation, a ‘tasting different’?
url http://journals.openedition.org/estetica/1404
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