Some Early Celestina Drawings by Picasso

A few drawings of Celestina are presented from Picasso’s early oeuvre. Francisco Rico carefully examined Picasso’s early education in Corunna and the books the artist kept from these years. Celestina was not mentioned in any of his texts as Rico explained the banning of certain books in late ninetee...

Full description

Bibliographic Details
Main Author: Carol Salus
Format: Article
Language:English
Published: Universidad de Valencia 2021-01-01
Series:Celestinesca
Subjects:
Online Access:https://ojs.uv.es/index.php/celestinesca/article/view/20063
id doaj-02bb96495c27441b9f86728ef6cb5502
record_format Article
spelling doaj-02bb96495c27441b9f86728ef6cb55022021-03-26T09:44:16ZengUniversidad de ValenciaCelestinesca0147-30852695-71832021-01-0130011112310.7203/Celestinesca.30.2006314666Some Early Celestina Drawings by PicassoCarol SalusA few drawings of Celestina are presented from Picasso’s early oeuvre. Francisco Rico carefully examined Picasso’s early education in Corunna and the books the artist kept from these years. Celestina was not mentioned in any of his texts as Rico explained the banning of certain books in late nineteenth-century Spain obviously leads to the delight in reading them. Rico pointed out, however, the importance of La Tragicomedia and the protagonist were known even by the uneducated thanks to popular culture. The artist certainly would have been familiar with the character of the old madam. As an eighteen-year-old learning in the Prado, Picasso made a copy of Celestina from one of Goya’s Los Caprichos. In another early drawing, The Divan, Picasso placed her standing in a contemporary Barcelona brothel. At age 3, in his famed Blue Period portrait, La Celestina, she appeared blind in one eye. Picasso wrote his own fiction as, in these later works, he deviated from the literary tradition in regard to her locale, appearance, and props. A new interpretation of his Rose Period painting, The Harem, in which supposedly the archetypal Spanish procuress appeared, is identified not as Celestina but rather a public bathhouse attendant.https://ojs.uv.es/index.php/celestinesca/article/view/20063celestinapicassobarcelonafrancisco ricogoyathe harem
collection DOAJ
language English
format Article
sources DOAJ
author Carol Salus
spellingShingle Carol Salus
Some Early Celestina Drawings by Picasso
Celestinesca
celestina
picasso
barcelona
francisco rico
goya
the harem
author_facet Carol Salus
author_sort Carol Salus
title Some Early Celestina Drawings by Picasso
title_short Some Early Celestina Drawings by Picasso
title_full Some Early Celestina Drawings by Picasso
title_fullStr Some Early Celestina Drawings by Picasso
title_full_unstemmed Some Early Celestina Drawings by Picasso
title_sort some early celestina drawings by picasso
publisher Universidad de Valencia
series Celestinesca
issn 0147-3085
2695-7183
publishDate 2021-01-01
description A few drawings of Celestina are presented from Picasso’s early oeuvre. Francisco Rico carefully examined Picasso’s early education in Corunna and the books the artist kept from these years. Celestina was not mentioned in any of his texts as Rico explained the banning of certain books in late nineteenth-century Spain obviously leads to the delight in reading them. Rico pointed out, however, the importance of La Tragicomedia and the protagonist were known even by the uneducated thanks to popular culture. The artist certainly would have been familiar with the character of the old madam. As an eighteen-year-old learning in the Prado, Picasso made a copy of Celestina from one of Goya’s Los Caprichos. In another early drawing, The Divan, Picasso placed her standing in a contemporary Barcelona brothel. At age 3, in his famed Blue Period portrait, La Celestina, she appeared blind in one eye. Picasso wrote his own fiction as, in these later works, he deviated from the literary tradition in regard to her locale, appearance, and props. A new interpretation of his Rose Period painting, The Harem, in which supposedly the archetypal Spanish procuress appeared, is identified not as Celestina but rather a public bathhouse attendant.
topic celestina
picasso
barcelona
francisco rico
goya
the harem
url https://ojs.uv.es/index.php/celestinesca/article/view/20063
work_keys_str_mv AT carolsalus someearlycelestinadrawingsbypicasso
_version_ 1724202307603660800