Ideologies and Discourses: Extreme Narratives in Extreme Metal Music
Historically speaking, metal music has always been about provoking a strong reaction. Depending on the characteristics of different sub-genres, one can focus on the sound, technique, visual appearance, and furthermore, the ideologies and ideas that are the foundation for each of the sub-genres. Alth...
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| Format: | Article |
| Language: | English |
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Singidunum University. Faculty of Media and Communications
2016-10-01
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| Series: | AM: Art + Media |
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| Online Access: | http://fmkjournals.fmk.edu.rs/index.php/AM/article/view/133 |
| Summary: | Historically speaking, metal music has always been about provoking a strong reaction. Depending on the characteristics of different sub-genres, one can focus on the sound, technique, visual appearance, and furthermore, the ideologies and ideas that are the foundation for each of the sub-genres. Although the majority of the metal community rejects accusations of being racially intolerant, some ideologies of extreme sub-genres (such as black metal) are in fact formed around the ideas of self-conscious elitism expressed through interest in pagan mythology, racism, Nazism and fascism. There has been much interest in the Nazi era within the extreme metal scene thus influencing other sub-genres and artists. The aim of this paper is to examine various appearances of extreme narratives such as Nazism and racism in different sub-genres of metal, bearing in mind variations dependent on geographical, political, and other factors. |
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| ISSN: | 2217-9666 2406-1654 |