Estetica del dettaglio filmico
The cinematographic detail is a relevant aesthetical component. It can be neither isolated nor explained by the foreground scenery. It is necessary to consider the specific aspects of cinematic details within a wider framework, which includes both incidental and transversal components. The paper sho...
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| Format: | Article |
| Language: | English |
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Università degli Studi di Milano
2013-10-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/3263 |
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doaj-01f08bd47911476da83fa542b9cb5215 |
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Article |
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doaj-01f08bd47911476da83fa542b9cb52152020-11-25T03:23:25ZengUniversità degli Studi di MilanoItinera2039-92512013-10-01610.13130/2039-9251/3263Estetica del dettaglio filmicoMattia Giannone0Università degli Studi di MilanoThe cinematographic detail is a relevant aesthetical component. It can be neither isolated nor explained by the foreground scenery. It is necessary to consider the specific aspects of cinematic details within a wider framework, which includes both incidental and transversal components. The paper shows how filmography directors like Jean-Pierre Jeunet and Wes Anderson clarify a new perspective on this topic.https://riviste.unimi.it/index.php/itinera/article/view/3263 |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Mattia Giannone |
| spellingShingle |
Mattia Giannone Estetica del dettaglio filmico Itinera |
| author_facet |
Mattia Giannone |
| author_sort |
Mattia Giannone |
| title |
Estetica del dettaglio filmico |
| title_short |
Estetica del dettaglio filmico |
| title_full |
Estetica del dettaglio filmico |
| title_fullStr |
Estetica del dettaglio filmico |
| title_full_unstemmed |
Estetica del dettaglio filmico |
| title_sort |
estetica del dettaglio filmico |
| publisher |
Università degli Studi di Milano |
| series |
Itinera |
| issn |
2039-9251 |
| publishDate |
2013-10-01 |
| description |
The cinematographic detail is a relevant aesthetical component. It can be neither isolated nor explained by the foreground scenery. It is necessary to consider the specific aspects of cinematic details within a wider framework, which includes both incidental and transversal components. The paper shows how filmography directors like Jean-Pierre Jeunet and Wes Anderson clarify a new perspective on this topic. |
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https://riviste.unimi.it/index.php/itinera/article/view/3263 |
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AT mattiagiannone esteticadeldettagliofilmico |
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