Una nueva zona de arte rupestre al aire libre en el NW : la península de Barbanza

A new área with open air rock carvings in the Iberian NW; the península of Barbanza. Traditionally the research on Galician rock art had focused in the área around Campolameiro (Pontevedra) where the biggest number of sites was reported, whereas other zones to the North were almost unknown in that r...

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Main Authors: Lola Gil Agra, Ángel Concheiro Coello
Format: Article
Language:English
Published: Universidad Nacional de Educación a Distancia (UNED) 1994-01-01
Series:Espacio, Tiempo y Forma. Serie I, Prehistoria y Arqueología
Online Access:http://revistas.uned.es/index.php/ETFI/article/view/4605
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spelling doaj-01bc4780d94043d8bb0cdcae161d3c422020-11-24T22:13:51ZengUniversidad Nacional de Educación a Distancia (UNED)Espacio, Tiempo y Forma. Serie I, Prehistoria y Arqueología1131-76982340-13541994-01-010710.5944/etfi.7.1994.46054485Una nueva zona de arte rupestre al aire libre en el NW : la península de BarbanzaLola Gil AgraÁngel Concheiro CoelloA new área with open air rock carvings in the Iberian NW; the península of Barbanza. Traditionally the research on Galician rock art had focused in the área around Campolameiro (Pontevedra) where the biggest number of sites was reported, whereas other zones to the North were almost unknown in that respect. In this paper we deal with the new finds of petroglyphs in the Barbanza, where intensive survey has multiplied the number of this tipe of sites. The usual motifs are abstract (mainly concentric circles and cupmarks) but also semischematic with representations of deer. The distribution of the art is more dense in the coastal lowlands, though a number of sites is reported in the passes leading into the high sierra and in this área itself. As to the relationship with the roughiy contemporary settiements (lllrd millenium BC), we have observed a definite pattern: cupmarks are sharing the same space with the more densely Inhabited áreas down to the coast and also they are found near to the mounds in the high plateau; animal representations and more complex abstract motifs (concentric circles with or without radius) are sited along small valleys or ridges that link the lowlands and the upper reaches of the Sierra. All this patterning would point out to the role of petrogliphs as a mechanism for defining the most resourceful or symbolic places and the paths leading into them.http://revistas.uned.es/index.php/ETFI/article/view/4605
collection DOAJ
language English
format Article
sources DOAJ
author Lola Gil Agra
Ángel Concheiro Coello
spellingShingle Lola Gil Agra
Ángel Concheiro Coello
Una nueva zona de arte rupestre al aire libre en el NW : la península de Barbanza
Espacio, Tiempo y Forma. Serie I, Prehistoria y Arqueología
author_facet Lola Gil Agra
Ángel Concheiro Coello
author_sort Lola Gil Agra
title Una nueva zona de arte rupestre al aire libre en el NW : la península de Barbanza
title_short Una nueva zona de arte rupestre al aire libre en el NW : la península de Barbanza
title_full Una nueva zona de arte rupestre al aire libre en el NW : la península de Barbanza
title_fullStr Una nueva zona de arte rupestre al aire libre en el NW : la península de Barbanza
title_full_unstemmed Una nueva zona de arte rupestre al aire libre en el NW : la península de Barbanza
title_sort una nueva zona de arte rupestre al aire libre en el nw : la península de barbanza
publisher Universidad Nacional de Educación a Distancia (UNED)
series Espacio, Tiempo y Forma. Serie I, Prehistoria y Arqueología
issn 1131-7698
2340-1354
publishDate 1994-01-01
description A new área with open air rock carvings in the Iberian NW; the península of Barbanza. Traditionally the research on Galician rock art had focused in the área around Campolameiro (Pontevedra) where the biggest number of sites was reported, whereas other zones to the North were almost unknown in that respect. In this paper we deal with the new finds of petroglyphs in the Barbanza, where intensive survey has multiplied the number of this tipe of sites. The usual motifs are abstract (mainly concentric circles and cupmarks) but also semischematic with representations of deer. The distribution of the art is more dense in the coastal lowlands, though a number of sites is reported in the passes leading into the high sierra and in this área itself. As to the relationship with the roughiy contemporary settiements (lllrd millenium BC), we have observed a definite pattern: cupmarks are sharing the same space with the more densely Inhabited áreas down to the coast and also they are found near to the mounds in the high plateau; animal representations and more complex abstract motifs (concentric circles with or without radius) are sited along small valleys or ridges that link the lowlands and the upper reaches of the Sierra. All this patterning would point out to the role of petrogliphs as a mechanism for defining the most resourceful or symbolic places and the paths leading into them.
url http://revistas.uned.es/index.php/ETFI/article/view/4605
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