Technological Recursivity and the Contested Subject on Reality TV

In after show interviews, reality television stars often cite the camera and producorial manipulation, like editing, when trying to explain away their conceivably indefensible behavior. And much academic criticism of reality shows hinges on these very same “negative” features of the format: technolo...

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Main Author: Aaron Duplantier
Format: Article
Language:English
Published: University of Zadar 2013-12-01
Series:[sic]
Online Access:http://www.sic-journal.org/ArticleView.aspx?aid=207
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spelling doaj-018c117f15cb4a3d87321cbdf343eccb2021-06-16T09:34:47ZengUniversity of Zadar[sic]1847-77552013-12-014110.15291/sic/1.4.lc.2207Technological Recursivity and the Contested Subject on Reality TVAaron DuplantierIn after show interviews, reality television stars often cite the camera and producorial manipulation, like editing, when trying to explain away their conceivably indefensible behavior. And much academic criticism of reality shows hinges on these very same “negative” features of the format: technological mediation, truthiness, their “lack” of reality. However, given the pervasiveness of 21st Century digital communication technology, and our decades worth of exposure to the regulating gaze of CCTV cameras, this rhetorical position is increasingly losing merit, despite its continued deployment—at the start of 2013, A&E’s Storage Wars was met by denouncements of a similar flavor. This paper attempts to draw on technology’s current place in the cultural milieu to challenge, at the very least, the theoretical position that might find reality TV external to our lived reality. Some specific reality TV personalities, ones who have denounced or commented on their on-screen selves, are examined in order to open up a conversation worried less about the contrivance of reality TV and more about the contrivance of contemporary living. MTV’s Jersey Shore, Teen Mom, The Hills, and ABC’s The Bachelor are some of the televisual texts sampled for the content of this paper.http://www.sic-journal.org/ArticleView.aspx?aid=207
collection DOAJ
language English
format Article
sources DOAJ
author Aaron Duplantier
spellingShingle Aaron Duplantier
Technological Recursivity and the Contested Subject on Reality TV
[sic]
author_facet Aaron Duplantier
author_sort Aaron Duplantier
title Technological Recursivity and the Contested Subject on Reality TV
title_short Technological Recursivity and the Contested Subject on Reality TV
title_full Technological Recursivity and the Contested Subject on Reality TV
title_fullStr Technological Recursivity and the Contested Subject on Reality TV
title_full_unstemmed Technological Recursivity and the Contested Subject on Reality TV
title_sort technological recursivity and the contested subject on reality tv
publisher University of Zadar
series [sic]
issn 1847-7755
publishDate 2013-12-01
description In after show interviews, reality television stars often cite the camera and producorial manipulation, like editing, when trying to explain away their conceivably indefensible behavior. And much academic criticism of reality shows hinges on these very same “negative” features of the format: technological mediation, truthiness, their “lack” of reality. However, given the pervasiveness of 21st Century digital communication technology, and our decades worth of exposure to the regulating gaze of CCTV cameras, this rhetorical position is increasingly losing merit, despite its continued deployment—at the start of 2013, A&E’s Storage Wars was met by denouncements of a similar flavor. This paper attempts to draw on technology’s current place in the cultural milieu to challenge, at the very least, the theoretical position that might find reality TV external to our lived reality. Some specific reality TV personalities, ones who have denounced or commented on their on-screen selves, are examined in order to open up a conversation worried less about the contrivance of reality TV and more about the contrivance of contemporary living. MTV’s Jersey Shore, Teen Mom, The Hills, and ABC’s The Bachelor are some of the televisual texts sampled for the content of this paper.
url http://www.sic-journal.org/ArticleView.aspx?aid=207
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