The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex
Caṇḍi Śiva, sacred centre of the famous ninth-century Loro Jonggrang temple complex at Prambanan, Central Java, is decorated with numerous iconic and narrative reliefs. Starting from the eastern staircase and traversing the perambulatory in a clockwise direction, we find the narrative reliefs of the...
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doaj-00e1b02c0cf74281a1427ba564a65a072021-04-02T02:03:59ZengBRILLBijdragen tot de Taal-, Land- en Volkenkunde0006-22942012-09-011682/3274313The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complexAndrea AcriRoy JordaanCaṇḍi Śiva, sacred centre of the famous ninth-century Loro Jonggrang temple complex at Prambanan, Central Java, is decorated with numerous iconic and narrative reliefs. Starting from the eastern staircase and traversing the perambulatory in a clockwise direction, we find the narrative reliefs of the Rāmāyaṇa on the balustrade wall on our left, and the iconic reliefs of twenty-four seated male deities, each flanked by several attendants – collectively referred to in the accompanying iconographic plan as ‘Lokapālas with attendants’– on our right, that is, on the temple body proper. The prime objective of the present inquiry is propose a new identification of this set of twenty-four deities forming Śiva’s entourage, which remains an unresolved issue in the art history of Central Java. Our findings will have implications for our understanding of the iconographical master plan of Loro Jonggrang, and, in a wider sense, of certain developments in Indo-Javanese and Balinese iconography.http://www.kitlv-journals.nl/index.php/btlv/article/view/8530Śiva templeLoro Jonggrang complexIndo-Javanese iconographyBalinese iconographyArt history of Central Java |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Andrea Acri Roy Jordaan |
spellingShingle |
Andrea Acri Roy Jordaan The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex Bijdragen tot de Taal-, Land- en Volkenkunde Śiva temple Loro Jonggrang complex Indo-Javanese iconography Balinese iconography Art history of Central Java |
author_facet |
Andrea Acri Roy Jordaan |
author_sort |
Andrea Acri |
title |
The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex |
title_short |
The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex |
title_full |
The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex |
title_fullStr |
The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex |
title_full_unstemmed |
The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex |
title_sort |
dikpālas of ancient java revisited: a new identification for the 24 directional deities on the śiva temple of the loro jonggrang complex |
publisher |
BRILL |
series |
Bijdragen tot de Taal-, Land- en Volkenkunde |
issn |
0006-2294 |
publishDate |
2012-09-01 |
description |
Caṇḍi Śiva, sacred centre of the famous ninth-century Loro Jonggrang temple complex at Prambanan, Central Java, is decorated with numerous iconic and narrative reliefs. Starting from the eastern staircase and traversing the perambulatory in a clockwise direction, we find the narrative reliefs of the Rāmāyaṇa on the balustrade wall on our left, and the iconic reliefs of twenty-four seated male deities, each flanked by several attendants – collectively referred to in the accompanying iconographic plan as ‘Lokapālas with attendants’– on our right, that is, on the temple body proper. The prime objective of the present inquiry is propose a new identification of this set of twenty-four deities forming Śiva’s entourage, which remains an unresolved issue in the art history of Central Java. Our findings will have implications for our understanding of the iconographical master plan of Loro Jonggrang, and, in a wider sense, of certain developments in Indo-Javanese and Balinese iconography. |
topic |
Śiva temple Loro Jonggrang complex Indo-Javanese iconography Balinese iconography Art history of Central Java |
url |
http://www.kitlv-journals.nl/index.php/btlv/article/view/8530 |
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