The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex

Caṇḍi Śiva, sacred centre of the famous ninth-century Loro Jonggrang temple complex at Prambanan, Central Java, is decorated with numerous iconic and narrative reliefs. Starting from the eastern staircase and traversing the perambulatory in a clockwise direction, we find the narrative reliefs of the...

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Main Authors: Andrea Acri, Roy Jordaan
Format: Article
Language:English
Published: BRILL 2012-09-01
Series:Bijdragen tot de Taal-, Land- en Volkenkunde
Subjects:
Online Access:http://www.kitlv-journals.nl/index.php/btlv/article/view/8530
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spelling doaj-00e1b02c0cf74281a1427ba564a65a072021-04-02T02:03:59ZengBRILLBijdragen tot de Taal-, Land- en Volkenkunde0006-22942012-09-011682/3274313The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complexAndrea AcriRoy JordaanCaṇḍi Śiva, sacred centre of the famous ninth-century Loro Jonggrang temple complex at Prambanan, Central Java, is decorated with numerous iconic and narrative reliefs. Starting from the eastern staircase and traversing the perambulatory in a clockwise direction, we find the narrative reliefs of the Rāmāyaṇa on the balustrade wall on our left, and the iconic reliefs of twenty-four seated male deities, each flanked by several attendants – collectively referred to in the accompanying iconographic plan as ‘Lokapālas with attendants’– on our right, that is, on the temple body proper. The prime objective of the present inquiry is propose a new identification of this set of twenty-four deities forming Śiva’s entourage, which remains an unresolved issue in the art history of Central Java. Our findings will have implications for our understanding of the iconographical master plan of Loro Jonggrang, and, in a wider sense, of certain developments in Indo-Javanese and Balinese iconography.http://www.kitlv-journals.nl/index.php/btlv/article/view/8530Śiva templeLoro Jonggrang complexIndo-Javanese iconographyBalinese iconographyArt history of Central Java
collection DOAJ
language English
format Article
sources DOAJ
author Andrea Acri
Roy Jordaan
spellingShingle Andrea Acri
Roy Jordaan
The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex
Bijdragen tot de Taal-, Land- en Volkenkunde
Śiva temple
Loro Jonggrang complex
Indo-Javanese iconography
Balinese iconography
Art history of Central Java
author_facet Andrea Acri
Roy Jordaan
author_sort Andrea Acri
title The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex
title_short The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex
title_full The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex
title_fullStr The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex
title_full_unstemmed The Dikpālas of ancient Java revisited: A new identification for the 24 directional deities on the Śiva temple of the Loro Jonggrang complex
title_sort dikpālas of ancient java revisited: a new identification for the 24 directional deities on the śiva temple of the loro jonggrang complex
publisher BRILL
series Bijdragen tot de Taal-, Land- en Volkenkunde
issn 0006-2294
publishDate 2012-09-01
description Caṇḍi Śiva, sacred centre of the famous ninth-century Loro Jonggrang temple complex at Prambanan, Central Java, is decorated with numerous iconic and narrative reliefs. Starting from the eastern staircase and traversing the perambulatory in a clockwise direction, we find the narrative reliefs of the Rāmāyaṇa on the balustrade wall on our left, and the iconic reliefs of twenty-four seated male deities, each flanked by several attendants – collectively referred to in the accompanying iconographic plan as ‘Lokapālas with attendants’– on our right, that is, on the temple body proper. The prime objective of the present inquiry is propose a new identification of this set of twenty-four deities forming Śiva’s entourage, which remains an unresolved issue in the art history of Central Java. Our findings will have implications for our understanding of the iconographical master plan of Loro Jonggrang, and, in a wider sense, of certain developments in Indo-Javanese and Balinese iconography.
topic Śiva temple
Loro Jonggrang complex
Indo-Javanese iconography
Balinese iconography
Art history of Central Java
url http://www.kitlv-journals.nl/index.php/btlv/article/view/8530
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