Pig Girl: An Indigenous Woman’s Perspective Through “Scriptive Things”
Indigenous representation in various genres has always been questionable in regards to who has a voice, and content that is culturally sensitive and appropriate. This paper critically examines the controversial theatrical play Pig Girl (Murphy, 2013) through the lens of Robin Bernstein’s (2011) “scr...
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2018-12-01
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Series: | Brock Education: a Journal of Educational Research and Practice |
Online Access: | https://journals.library.brocku.ca/brocked/index.php/home/article/view/781 |
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doaj-00a0277f702442eca38f283720b7b0372020-11-25T02:32:20ZengBrock UniversityBrock Education: a Journal of Educational Research and Practice1183-11892371-77502018-12-01281496210.26522/brocked.v28i1.781781Pig Girl: An Indigenous Woman’s Perspective Through “Scriptive Things”Lyn Trudeau0Brock UniversityIndigenous representation in various genres has always been questionable in regards to who has a voice, and content that is culturally sensitive and appropriate. This paper critically examines the controversial theatrical play Pig Girl (Murphy, 2013) through the lens of Robin Bernstein’s (2011) “scriptive things” theory. Although Pig Girl sought to give voice to Canada’s missing and murdered Indigenous women, it instead was sharply criticized by Indigenous community members. This paper explores historical ideologies corresponding to the dehumanization of and violence perpetrated against Indigenous women based on the imagery provided by those who created and promoted the Pig Girl stage play. The paper discusses how such imagery can re-inscribe prior beliefs and be interpreted with “things” depicted within the playʼs narrative. The paper also addresses the function of interpellation and imagery, aesthetic intervention, and resulting associationshttps://journals.library.brocku.ca/brocked/index.php/home/article/view/781 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Lyn Trudeau |
spellingShingle |
Lyn Trudeau Pig Girl: An Indigenous Woman’s Perspective Through “Scriptive Things” Brock Education: a Journal of Educational Research and Practice |
author_facet |
Lyn Trudeau |
author_sort |
Lyn Trudeau |
title |
Pig Girl: An Indigenous Woman’s Perspective Through “Scriptive Things” |
title_short |
Pig Girl: An Indigenous Woman’s Perspective Through “Scriptive Things” |
title_full |
Pig Girl: An Indigenous Woman’s Perspective Through “Scriptive Things” |
title_fullStr |
Pig Girl: An Indigenous Woman’s Perspective Through “Scriptive Things” |
title_full_unstemmed |
Pig Girl: An Indigenous Woman’s Perspective Through “Scriptive Things” |
title_sort |
pig girl: an indigenous woman’s perspective through “scriptive things” |
publisher |
Brock University |
series |
Brock Education: a Journal of Educational Research and Practice |
issn |
1183-1189 2371-7750 |
publishDate |
2018-12-01 |
description |
Indigenous representation in various genres has always been questionable in regards to who has a voice, and content that is culturally sensitive and appropriate. This paper critically examines the controversial theatrical play Pig Girl (Murphy, 2013) through the lens of Robin Bernstein’s (2011) “scriptive things” theory. Although Pig Girl sought to give voice to Canada’s missing and murdered Indigenous women, it instead was sharply criticized by Indigenous community members. This paper explores historical ideologies corresponding to the dehumanization of and violence perpetrated against Indigenous women based on the imagery provided by those who created and promoted the Pig Girl stage play. The paper discusses how such imagery can re-inscribe prior beliefs and be interpreted with “things” depicted within the playʼs narrative. The paper also addresses the function of interpellation and imagery, aesthetic intervention, and resulting associations |
url |
https://journals.library.brocku.ca/brocked/index.php/home/article/view/781 |
work_keys_str_mv |
AT lyntrudeau piggirlanindigenouswomansperspectivethroughscriptivethings |
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