The Disappearance of Canada: Margaret Atwood’s Transnational Turn and Ustopianism

This essay examines how Margaret Atwood’s recent dystopias Oryx and Crake and The Year of the Flood reflect a transnational turn in her fiction, which is a significant development both in light of her early work and her public image as a Canadian cultural nationalist. --- Original in English

Bibliographic Details
Main Author: Albert Braz
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2013-12-01
Series:Gragoatá
Subjects:
Online Access:http://www.gragoata.uff.br/index.php/gragoata/article/view/38

Similar Items