The Disappearance of Canada: Margaret Atwood’s Transnational Turn and Ustopianism
This essay examines how Margaret Atwood’s recent dystopias Oryx and Crake and The Year of the Flood reflect a transnational turn in her fiction, which is a significant development both in light of her early work and her public image as a Canadian cultural nationalist. --- Original in English
Main Author: | Albert Braz |
---|---|
Format: | Article |
Language: | Portuguese |
Published: |
Universidade Federal Fluminense
2013-12-01
|
Series: | Gragoatá |
Subjects: | |
Online Access: | http://www.gragoata.uff.br/index.php/gragoata/article/view/38 |
Similar Items
-
The feminine as an obscene supplement in The Handmaid’s Tale, by Margaret Atwood
by: Gabriela Bruschini Grecca
Published: (2018-08-01) -
“God is a cluster of neurons”: Neo-posthumanism, theocide, theogony and anti-myths of origin in Margaret Atwood’s Oryx and Crake
by: Eduardo Marks de Marques
Published: (2013-12-01) -
La inverosimilitud de un mundo posible sin amor. «El cuento de la criada», de Margaret Atwood.
by: Victoria Hernández Ruiz
Published: (2019-01-01) -
Confinadas em si mesmas: a morte social e o isolamento do sujeito em O conto da aia, de Margaret Atwood
by: Jade Bueno Arbo, et al.
Published: (2019-11-01) -
Children of Oryx, Children of Crake, Children of Men: Redefining the Post/Transhuman in Margaret Atwood’s “ustopian” MaddAddam Trilogy
by: Eduardo Marks de Marques
Published: (2016-04-01)