HBO’s Black Women Artist Biopics: The Josephine Baker Story and Introducing Dorothy Dandridge

This paper analyses cable television HBO’s 1990s biopics based on the life stories of the African American dancer and singer Josephine Baker (The Josephine Baker Story, Brian Gibson, 1991) and the actress Dorothy Dandridge (Introducing Dorothy Dandridge, Martha Coolidge,...

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Bibliographic Details
Main Author: Hélène Charlery
Format: Article
Language:English
Published: Maison de la Recherche en Sciences Humaines 2016-12-01
Series:Revue LISA
Subjects:
HBO
Online Access:http://journals.openedition.org/lisa/8993
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spelling doaj-004c5bf613f144d4bd86e8188e0555d72021-10-02T03:23:07ZengMaison de la Recherche en Sciences HumainesRevue LISA1762-61532016-12-0110.4000/lisa.8993HBO’s Black Women Artist Biopics: The Josephine Baker Story and Introducing Dorothy DandridgeHélène CharleryThis paper analyses cable television HBO’s 1990s biopics based on the life stories of the African American dancer and singer Josephine Baker (The Josephine Baker Story, Brian Gibson, 1991) and the actress Dorothy Dandridge (Introducing Dorothy Dandridge, Martha Coolidge, 1999), demonstrating that the films articulate the network’s commercial strategy, using the life stories of African American icons to tap into a niche market. While pointing at the artists’ personal struggles, the biopics enhance the narrative power of the female voices, and yet frame them within the controlling power of white male characters. Both films deviate from the victimizing approach that often prevails in female biopics and testify to innovative narrative methods.http://journals.openedition.org/lisa/8993Baker JosephineDandridge DorothyHBOblack women artistsbiopics
collection DOAJ
language English
format Article
sources DOAJ
author Hélène Charlery
spellingShingle Hélène Charlery
HBO’s Black Women Artist Biopics: The Josephine Baker Story and Introducing Dorothy Dandridge
Revue LISA
Baker Josephine
Dandridge Dorothy
HBO
black women artists
biopics
author_facet Hélène Charlery
author_sort Hélène Charlery
title HBO’s Black Women Artist Biopics: The Josephine Baker Story and Introducing Dorothy Dandridge
title_short HBO’s Black Women Artist Biopics: The Josephine Baker Story and Introducing Dorothy Dandridge
title_full HBO’s Black Women Artist Biopics: The Josephine Baker Story and Introducing Dorothy Dandridge
title_fullStr HBO’s Black Women Artist Biopics: The Josephine Baker Story and Introducing Dorothy Dandridge
title_full_unstemmed HBO’s Black Women Artist Biopics: The Josephine Baker Story and Introducing Dorothy Dandridge
title_sort hbo’s black women artist biopics: the josephine baker story and introducing dorothy dandridge
publisher Maison de la Recherche en Sciences Humaines
series Revue LISA
issn 1762-6153
publishDate 2016-12-01
description This paper analyses cable television HBO’s 1990s biopics based on the life stories of the African American dancer and singer Josephine Baker (The Josephine Baker Story, Brian Gibson, 1991) and the actress Dorothy Dandridge (Introducing Dorothy Dandridge, Martha Coolidge, 1999), demonstrating that the films articulate the network’s commercial strategy, using the life stories of African American icons to tap into a niche market. While pointing at the artists’ personal struggles, the biopics enhance the narrative power of the female voices, and yet frame them within the controlling power of white male characters. Both films deviate from the victimizing approach that often prevails in female biopics and testify to innovative narrative methods.
topic Baker Josephine
Dandridge Dorothy
HBO
black women artists
biopics
url http://journals.openedition.org/lisa/8993
work_keys_str_mv AT helenecharlery hbosblackwomenartistbiopicsthejosephinebakerstoryandintroducingdorothydandridge
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