Incidere, Incidere, Incidere Giorgio Trentin tra etica dell'arte e impegno politico

Giorgio Trentin (1917-2013), eldest son of the anti-fascist exile Silvio and brother of the unionist Bruno, was one of the greatest connoisseurs, enthusiasts and 'defenders' of engraving art in Italy. With this conference promoted a few months after his death, the Academy of Fine Arts of V...

Full description

Bibliographic Details
Format: eBook
Language:Italian
Published: Florence Firenze University Press 2015
Series:Carte, Studi e Opere - Centro Trentin di Venezia
Subjects:
Online Access:Open Access: DOAB: description of the publication
Open Access: DOAB, download the publication
LEADER 02790namaa2200517uu 4500
001 doab83444
003 oapen
005 20220602
006 m o d
007 cr|mn|---annan
008 220602s2015 xx |||||o ||| 0|ita d
020 |a 978-88-6655-817-0 
020 |a 9788866558163 
020 |a 9788866558170 
020 |a 9788866558187 
020 |a 9788892734098 
024 7 |a 10.36253/978-88-6655-817-0  |2 doi 
040 |a oapen  |c oapen 
041 0 |a ita 
042 |a dc 
072 7 |a 3MN  |2 bicssc 
072 7 |a 3MP  |2 bicssc 
072 7 |a AGA  |2 bicssc 
072 7 |a DS  |2 bicssc 
072 7 |a NHB  |2 bicssc 
720 1 |a Sbordone, Giovanni  |4 edt 
720 1 |a Sbordone, Giovanni  |4 oth 
245 0 0 |a Incidere, Incidere, Incidere  |b Giorgio Trentin tra etica dell'arte e impegno politico 
260 |a Florence  |b Firenze University Press  |c 2015 
300 |a 1 online resource (234 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Carte, Studi e Opere - Centro Trentin di Venezia 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a Giorgio Trentin (1917-2013), eldest son of the anti-fascist exile Silvio and brother of the unionist Bruno, was one of the greatest connoisseurs, enthusiasts and 'defenders' of engraving art in Italy. With this conference promoted a few months after his death, the Academy of Fine Arts of Venice and the Centro documentazione e ricerca Trentin have brought together the researches of scholars from different backgrounds and the testimonies of those who knew Giorgio Trentin. The aim was the one of restoring unity to the two 'faces' of his figure: on one hand the civil and anti-fascist militancy (a characteristic and unmistakable mark of the family) on the other the commitment in the artistic field, which represented personal space of Giorgio or, better, his personal declination of that common militancy. To him, in fact, the engraving technique was an indispensable paradigm of moral rigour and the search for truth. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nd/4.0/  |2 cc  |u https://creativecommons.org/licenses/by-nd/4.0/ 
546 |a Italian 
650 7 |a 19th century, c 1800 to c 1899  |2 bicssc 
650 7 |a 20th century, c 1900 to c 1999  |2 bicssc 
650 7 |a General and world history  |2 bicssc 
650 7 |a History of art  |2 bicssc 
650 7 |a Literature: history and criticism  |2 bicssc 
793 0 |a DOAB Library. 
856 4 0 |u https://directory.doabooks.org/handle/20.500.12854/83444  |7 0  |z Open Access: DOAB: description of the publication 
856 4 0 |u https://library.oapen.org/bitstream/20.500.12657/55246/1/9788866558170.pdf  |7 0  |z Open Access: DOAB, download the publication