Television before TV New Media and Exhibition Culture in Europe and the USA, 1928-1939

Television before TV rethinks the history of interwar television by exploring the medium's numerous demonstrations organized at national fairs and international exhibitions in the late 1920s and 1930s. Building upon extensive archival research in Britain, Germany, and the United States, Anne-Ka...

Full description

Bibliographic Details
Format: eBook
Language:English
Published: Amsterdam University Press 2022
Series:Televisual Culture
Subjects:
Online Access:Open Access: DOAB: description of the publication
Open Access: DOAB, download the publication
LEADER 02548namaa2200433uu 4500
001 doab81397
003 oapen
005 20220512
006 m o d
007 cr|mn|---annan
008 220512s2022 xx |||||o ||| 0|eng d
020 |a 9789048544813 
020 |a 9789463727815 
024 7 |a 10.5117/9789463727815  |2 doi 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a AGA  |2 bicssc 
072 7 |a AGC  |2 bicssc 
072 7 |a JBCT  |2 bicssc 
720 1 |a Weber, Anne-Katrin  |4 aut 
245 0 0 |a Television before TV  |b New Media and Exhibition Culture in Europe and the USA, 1928-1939 
260 |b Amsterdam University Press  |c 2022 
300 |a 1 online resource (356 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Televisual Culture 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a Television before TV rethinks the history of interwar television by exploring the medium's numerous demonstrations organized at national fairs and international exhibitions in the late 1920s and 1930s. Building upon extensive archival research in Britain, Germany, and the United States, Anne-Katrin Weber analyses the sites where the new medium met its first audiences. She argues that public displays were central to television's social construction; for the historian, the exhibitions therefore constitute crucial events to understand not only the medium's pre-war emergence, but also its subsequent domestication in the post-war years. Designed as a transnational study, her book highlights the multiple circulations of artefacts and ideas across borders of democratic and totalitarian regimes alike. Richly illustrated with 100 photographs, Weber finally emphasizes that even without regular programmes, interwar television was widely seen. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |u https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Exhibition catalogues and specific collections  |2 bicssc 
650 7 |a History of art  |2 bicssc 
650 7 |a Media studies  |2 bicssc 
653 |a Television History, New Media, Exhibition Studies 
793 0 |a DOAB Library. 
856 4 0 |u https://directory.doabooks.org/handle/20.500.12854/81397  |7 0  |z Open Access: DOAB: description of the publication 
856 4 0 |u https://library.oapen.org/bitstream/20.500.12657/54250/1/9789048544813.pdf  |7 0  |z Open Access: DOAB, download the publication