Ambivalence terena
Besedilo o ambivalencah terena, o ritualih, akterjih in pripovedi tematizira razmerje med raziskovalcem in njegovim informatorjem, sogovornikom, navadno tudi izvajalcem kulturne prakse, in hkrati odkriva dinamične procese. V poglavju Besedila in resničnosti avtor na primeru pustovanja (škoromatije)...
| Format: | eBook |
|---|---|
| Language: | Slovenian |
| Published: |
Ljubljana
ZRC SAZU, Založba ZRC
2014
|
| Series: | Opera ethnologica Slovenica
|
| Subjects: | |
| Online Access: | Open Access: DOAB: description of the publication Open Access: DOAB, download the publication |
| LEADER | 04368namaa2200577uu 4500 | ||
|---|---|---|---|
| 001 | doab79924 | ||
| 003 | oapen | ||
| 005 | 20220401 | ||
| 006 | m o d | ||
| 007 | cr|mn|---annan | ||
| 008 | 220401s2014 xx |||||o ||| 0|slv d | ||
| 020 | |a 9789612546946 | ||
| 020 | |a 9789612546946 | ||
| 024 | 7 | |a 10.3986/9789612546946 |2 doi | |
| 040 | |a oapen |c oapen | ||
| 041 | 0 | |a slv | |
| 042 | |a dc | ||
| 072 | 7 | |a 1DXV |2 bicssc | |
| 072 | 7 | |a JHMC |2 bicssc | |
| 720 | 1 | |a Fikfak, Jurij |4 aut | |
| 245 | 0 | 0 | |a Ambivalence terena |
| 260 | |a Ljubljana |b ZRC SAZU, Založba ZRC |c 2014 | ||
| 300 | |a 1 online resource (87 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Opera ethnologica Slovenica | |
| 506 | 0 | |a Open Access |f Unrestricted online access |2 star | |
| 520 | |a Besedilo o ambivalencah terena, o ritualih, akterjih in pripovedi tematizira razmerje med raziskovalcem in njegovim informatorjem, sogovornikom, navadno tudi izvajalcem kulturne prakse, in hkrati odkriva dinamične procese. V poglavju Besedila in resničnosti avtor na primeru pustovanja (škoromatije) razbira palimpsestne strukture in sinkretično dojemanje resničnosti. V drugem poglavju se osredotoča na produkcijo lokalne identitete~motiv, značilen za današnjo produkcijo ritualnih praks in kulturne dediščine. Poglavje Iluzije harmonije tematizira diskurze o razmerju med pogledi in dojemanji raziskovalca in izvajalca, pri čemer avtor posebej problematizira iskanje in najdevanje zlatih časov. Časenje upovedovanja je pripoved o času kot eni najpomembnejših kategorij strukturiranja pripovedi. Raziskovalec problematizira percepcijo časa in horizonta, primerja različno časenje preteklosti pri sebi in sogovorniku ter razbira cezure v strukturiranju časa. V zadnjem, deloma avtoetnografskem poglavju o ambivalencah terena se pisec osredotoča na zgodbe o »zajemanju« resničnosti, zgodbe o spreminjanju dostopa do terena in o spremenjenih konfiguracijah razmerja med akterji. | ||
| 520 | |a This text about the ambivalence of fieldwork, rituals, actors, and stories thematizes the relationship between the researcher and his informants and interlocutors (usually also the performers of a cultural practice), and it reveals dynamic processes at the same time. In the chapter "Texts and Realities" the author uses the carnival tradition known as škoromatija to decode a palimpsest structure and syncretic understanding of reality. The second chapter focuses on the production of local identity: a motif that is characteristic for today's production of ritual practices and cultural heritage. The chapter "Illusions of Harmony" thematizes discourse on the relationship between the views and conceptions of the researcher and performer, whereby the author especially problematizes the search for and repeated discovery of golden eras. "The Timing of Verbalization" is a narrative about time as one of the most important categories of structuring a narrative. The researcher problematizes the perception of time and the horizon, compares different timing of the past for himself and his interlocutor, and teases out caesurae in the structuring of time. In the last and partly self-ethnographic chapter on the ambivalence of fieldwork, the writer focuses on stories of "capturing" the reality, and stories about changing the approach to fieldwork and about the changed configurations of relations among actors. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |u https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
| 546 | |a Slovenian | ||
| 650 | 7 | |a Slovenia |2 bicssc | |
| 650 | 7 | |a Social and cultural anthropology |2 bicssc | |
| 653 | |a carnival | ||
| 653 | |a customs | ||
| 653 | |a ethnology | ||
| 653 | |a etnologija | ||
| 653 | |a field work | ||
| 653 | |a methodology | ||
| 653 | |a metodologija | ||
| 653 | |a pust | ||
| 653 | |a rituali | ||
| 653 | |a rituals | ||
| 653 | |a šege | ||
| 653 | |a Slovenia | ||
| 653 | |a Slovenija | ||
| 653 | |a terensko delo | ||
| 793 | 0 | |a DOAB Library. | |
| 856 | 4 | 0 | |u https://directory.doabooks.org/handle/20.500.12854/79924 |7 0 |z Open Access: DOAB: description of the publication |
| 856 | 4 | 0 | |u https://omp.zrc-sazu.si/zalozba/catalog/view/912/3870/422-2 |7 0 |z Open Access: DOAB, download the publication |