Seeing Human Rights Video Activism as a Proxy Profession

• Format: eBook
• Language: English
• Published: Cambridge The MIT Press 2021
• Series: Information Policy
• Subjects: Political oppression and persecution; Pressure groups, protest movements and non-violent action; The arts: general topics; activism; advocacy; Amnesty International; Forensic Architecture; human rights; Human Rights Watch; images; journalism; law; new institutionalism; open source investigation; policy; politics; professionalization; proxy profession; Syrian Archive; verification; video; visual evidence; WITNESS; witnessing
• Online Access: Open Access: DOAB: description of the publication; Open Access: DOAB, download the publication
• Physical Description: 1 online resource (288 p.)
• ISBN: 9780262365406; 9780262542531
• DOI: 10.7551/mitpress/12244.001.0001
• Access: Open Access

As video becomes an important tool to expose injustice, an examination of how human rights organizations are seeking to professionalize video activism. Visual imagery is at the heart of humanitarian and human rights activism, and video has become a key tool in these efforts. The Saffron Revolution in Myanmar, the Green Movement in Iran, and Black Lives Matter in the United States have all used video to expose injustice. In Seeing Human Rights, Sandra Ristovska examines how human rights organizations are seeking to professionalize video activism through video production, verification standards, and training. The result, she argues, is a proxy profession that uses human rights videos to tap into journalism, the law, and political advocacy. Ristovska explains that this proxy profession retains some tactical flexibility in its use of video while giving up on the more radical potential and imaginative scope of video activism as a cultural practice. Drawing on detailed analysis of legal cases and videos as well as extensive interviews with staff members of such organizations as Amnesty International, Human Rights Watch, WITNESS, the International Criminal Tribunal for the former Yugoslavia (ICTY), and the International Criminal Court (ICC), Ristovska considers the unique affordances of video and examines the unfolding relationships among journalists, human rights organizations, activists, and citizens in global crisis reporting. She offers a case study of the visual turn in the law; describes advocacy and marketing strategies; and argues that the transformation of video activism into a proxy profession privileges institutional and legal spaces over broader constituencies for public good.