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020 |a 9780472039371 
020 |a 9780472132485 
020 |a mpub.11713921 
024 7 |a 10.3998/mpub.11713921  |2 doi 
040 |a oapen  |c oapen 
041 0 |a eng 
042 |a dc 
072 7 |a ATF  |2 bicssc 
072 7 |a ATJ  |2 bicssc 
072 7 |a AV  |2 bicssc 
072 7 |a AVA  |2 bicssc 
720 1 |a Sundar, Pavitra  |4 aut 
245 0 0 |a Listening with a Feminist Ear  |b Soundwork in Bombay Cinema 
260 |b University of Michigan Press  |c 2023 
300 |a 1 online resource (283 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 |a Listening with a Feminist Ear is a study of the cultural politics and possibilities of sound in cinema. Eschewing ocularcentric and siloed disciplinary formations, the book takes seriously the radical theoretical and methodological potential of listening. It models a feminist interpretive practice that is not just attuned to how power and privilege are materialized in sound, but that engenders new, counter-hegemonic imaginaries. Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by/4.0/  |2 cc  |u https://creativecommons.org/licenses/by/4.0/ 
546 |a English 
650 7 |a Films, cinema  |2 bicssc 
650 7 |a Music  |2 bicssc 
650 7 |a Television  |2 bicssc 
650 7 |a Theory of music and musicology  |2 bicssc 
653 |a accent, audiovisual contract, aural lag, Bambaiyya, body, Bollywood, Bombay cinema, cinephilia, classic qawwali, communal, cultural politics, dargah qawwali, dialogue, feminist ear, gangster genre, gender, Hindi cinema, India, inter-aural, Islamicate, item number, liberalization, language, listening, listening public, media, millennial soundwork, music, musical, musicking, nation, playback, qawwali, regional, religion, romance, sexuality, singing, somatic clause, song sequences, sound, soundtrack, soundwork, speaking, speech, Sufipop, tapori, television, voice, voicing, xenophone 
793 0 |a DOAB Library. 
856 4 0 |u https://directory.doabooks.org/handle/20.500.12854/107893  |7 0  |z Open Access: DOAB: description of the publication 
856 4 0 |u https://library.oapen.org/bitstream/20.500.12657/64039/1/9780472903665.pdf  |7 0  |z Open Access: DOAB, download the publication