John Ruskin and the National Gallery: evolving ideas about curating the nation’s paintings during the second half of the nineteenth century

by Susanna Avery-Quash
Published 2020-06-01

Postscript to ‘Illuminating the Old Masters and Enlightening the British Public’

by Susanna Avery-Quash
Published 2019-06-01

Illuminating the Old Masters and Enlightening the British Public: Anna Jameson and the Contribution of British Women to Empirical Art History in the 1840s

by Susanna Avery-Quash
Published 2019-06-01

Two hundred years of women benefactors at the National Gallery: an exercise in mapping uncharted territory

by Susanna Avery-Quash, Christine Riding
Published 2020-12-01

'Substituting an approach to historical evidence for the vagueness of speculation’: Charles Lock Eastlake and Johann David Passavant’s contribution to the professionalization of ar...

by Susanna Avery-Quash, Corina Meyer
Published 2018-06-01

‘[In]Visible: Irish Women Artists from the Archives’: An Interview with Emma O’Toole

by Susanna Avery-Quash, Emma O’Toole
Published 2019-06-01

Introduction: Art for the Nation: John Ruskin, Art Education and Social Change

by Susanna Avery-Quash, Janet Barnes, Paul Tucker
Published 2020-06-01

Introduction

by Maria Alambritis, Susanna Avery-Quash, Hilary Fraser
Published 2019-06-01

[In]Visible: Paintings by Women Artists in the National Gallery, London: An Interview with Letizia Treves and Francesca Whitlum-Cooper

by Susanna Avery-Quash, Letizia Treves, Francesca Whitlum-Cooper
Published 2019-06-01