A Response to Andrea R. Halpern's Commentary

by Freya Bailes
Published 2007-05-01

Timbre as an Elusive Component of Imagery for Music

by Freya Bailes
Published 2007-01-01

Time Series Analysis as a Method to Examine Acoustical Influences on Real-time Perception of Music

by Roger T. Dean, Freya Bailes
Published 2011-04-01

Modelling Perception of Structure and Affect in Music: Spectral Centroid and Wishart's Red Bird

by Roger T. Dean, Freya Bailes
Published 2011-12-01

A Response to Cross & Rohrmeier's 'Comments on Facilitation and Coherence Between the Dynamic and Retrospective Perception of Segmentation in Computer-Generated Music'

by Freya Bailes, Roger Dean
Published 2007-11-01

Facilitation and Coherence Between the Dynamic and Retrospective Perception of Segmentation in Computer-Generated Music

by Freya Bailes, Roger T. Dean
Published 2007-08-01

Musical expertise and the ability to imagine loudness.

by Laura Bishop, Freya Bailes, Roger T Dean
Published 2013-01-01

Acoustic intensity causes perceived changes in arousal levels in music: an experimental investigation.

by Roger T Dean, Freya Bailes, Emery Schubert
Published 2011-01-01

Perception of synchronization in singing ensembles.

by Sara D'Amario, Helena Daffern, Freya Bailes
Published 2019-01-01

Spectral Pitch Similarity is a Predictor of Perceived Change in Sound- as Well as Note-Based Music

by Roger T. Dean, Andrew J. Milne, Freya Bailes
Published 2019-05-01

Synchronization in Singing Duo Performances: The Roles of Visual Contact and Leadership Instruction

by Sara D'Amario, Helena Daffern, Freya Bailes
Published 2018-07-01

How Different Are Our Perceptions of Equal-Tempered and Microtonal Intervals? A Behavioural and EEG Survey.

by Freya Bailes, Roger T Dean, Mary C Broughton
Published 2015-01-01